The Pioneering Sounds of The Rolling Stones: Albums Pre-1968

The origin story of The Rolling Stones is one of constant evolution, their pre-1968 albums showcasing the band's journey from a blues-based cover band to one of the most influential acts of the 1960s. This era saw the group release some of its most groundbreaking work, including "Aftermath," "Between the Buttons," "Their Satanic Majesties Request," and "Beggars Banquet."

Aftermath (1966)

Aftermath stands out as the band's most experimental work prior to 1968. This album marked a significant turning point for the Stones, demonstrating their increased songwriting abilities and their exploration of psychedelic and Eastern influences. Tracks like "Broadcast News" and "Twist and Shout" showcase the Stones' craft in crafting a unique blend of genres. It's a pivotal album that set the stage for the band's future psychedelic ventures.

Between the Buttons (1967)

Between the Buttons, released in the height of the British Swinging Sixties, demonstrated the band's versatility with tracks that range from baroque pop to blues rock to psychedelic elements. Hits like "Star Star" and "Under My Thumb" exemplify the rock and roll attitude of the Stones. The album also benefitted from outside collaboration, like "Paint It, Black" and "Baby, I Love You

Their Satanic Majesties Request (1967)

Their Satanic Majesties Request is often not universally praised when it was first released but is now considered an underrated psychedelic masterpiece. It features some of the most experimental tracks of the band's early career, such as "2000 Watts" and "I Honored Dead" which highlight the dark and macabre themes that would persist in later albums. This album also serves as a precursor to the band's incorporation of Eastern influences and their foray into more complex musical territories.

Beggars Banquet (1968)

Beggars Banquet marked the band's return to their blues and country roots while also displaying their songwriting maturity. Tracks like "Sympathy for the Devil" and "The Last Time" demonstrate their evolution, showing a more mature and sophisticated side beyond just blues covers. This album bridges the gap between their earlier rock-oriented sound and the bold experimentation that came with later albums like "Exile on Main Street."

Out of Our Heads (UK version) and The Rolling Stones Now (US version)

While the UK version of "Out of Our Heads" lacks the hits found on its American counterpart, it serves as a steady stream of some of the best covers the Stones ever did. The US version of "The Rolling Stones Now" also offers a significant collection of lesser-known blues and soul covers. These albums are essential for any fan of the pre-1968 era, providing a glimpse into the band's eclectic taste and musical range.

The best of The Rolling Stones pre-1968 albums, particularly "Aftermath," are highlighted by their dark, experimental nature. Songs like "Paint It Black" and "Star Star" are iconic, while tracks like "Broadcast News" and "I Am Waiting" showcase the Stones' maturing songwriting abilities. These albums not only capture the band's evolution from a blues-based cover band to one of the most important and influential rock acts of the 1960s but also solidify their status as one of the greatest rock bands of all time.

The legacy of these albums extends beyond their initial release, with each contributing to the Stones' reputation as pioneers in rock music. From the experimental sounds of "Aftermath" to the psychedelic explorations of "Between the Buttons" and "Their Satanic Majesties Request," and the return to roots of "Beggars Banquet," these albums stand as testaments to the band's enduring influence on the music industry.